20/20 Tech Director

Position: The primary duty of the Technical Director is the coordination of all scenic activities (scenery construction, painting, and props) for the “20/20” play including the following:

  • Producing working drawings
  • Determining the production expenses of projects given the designer drawings, the number of workers available and their level of skill, and the time frame for completion
  • Negotiating alternatives with the director and set designer
  • Refining the production/construction calendar
  • Overseeing and managing the scenic budget
  • Recruiting and overseeing the running crew

This will involve a close reading of the script and consultations with the Director, Stage Manager, Prop Designer, Costume Designer, and other cast and crew.

Experience: practical work experience in technical production from pre-build to striking the set, including working knowledge of construction and set design, lighting design, stage rigging, audio and sound reinforcement, stage management/or production management, and professional standards of stage safety.

Skills: Effective oral and written communication skills. Negotiating skills. Mechanical skills in the use of hand and power tools. The ability to read and understand floor plans, design sketches, construction plans and the ability to produce working drawings.

Physical Demands: Lift and carry materials weighing between 50 – 100 pounds. Physical activities such as, but not limited to, lifting, bending, standing, climbing, and/or walking. Ability to drive (with valid driver’s license). Involves getting dirty or dusty and being around paint fumes.

Inclusivity: sensitivity to and an understanding of the diverse socioeconomic, cultural, disability, and ethnic backgrounds of actors and crew, and to accommodating actors and crew with disabilities.

Play: “20/20” by Kari Barclay and Stardust Doherty

Synopsis: It’s 2020. The President has been re-elected, the climate is heating up, the economy in meltdown. In this satirical participatory performance, audience members choose the scenarios to stage: impeachment? a coup? a revolution? “20/20” asks what people power looks like in a time of vast uncertainty when even choosing to do nothing has consequences.

Artistic Director: Stardust Doherty

Crew:

  • Stage Manager, Tech Director, Set Designer, Prop Designer, Costume Designer, Marketing Manager, Fundraiser, Logistics Manager, Sign Language Interpreters (ASL), Videographer, Graphic Designer, Painters, Builders, Makers, Movers, Shakers

Union: No

Compensation: Possibly a share of ticket sales and funraiser funds.  (We would love to pay artists living wages, but we are an entirely unpaid company, unless we receive grants or other contributions… we are all working for social justice!)

Performances: at least four, as part of the San Francisco Fringe Festival at the EXIT Theatre, 156 Eddy St, San Francisco

  • 5:30pm-8:30pm on Saturday, September 7, 2019
  • 1:00pm-4:00pm on Sunday, September 8, 2019
  • 7:30pm-10:30pm on Thursday, September 11, 2019
  • 4:00pm-7:00pm on Saturday, September 14, 2019
  • An additional performance probably on September 15, 2019 (time TBA)

Commitment: 2 months, twice weekly through September 6, 2019, in San Francisco: 7pm-11pm Tuesdays, and 9am-7pm Saturdays (inc. set, props, and costume construction), plus performances dates, in San Francisco

Apply:

  • Contact theatre-makers@ritualart.org with name, tech director experience, and availability for performance and build dates/times.
  • Appointments Available: flexible starting immediately

Show Website: http://ritualart.org/2020/

Tickets: $13 cash in person ($15.99 online tickets at https://20-20.brownpapertickets.com). Advanced purchase recommended due to limited seating.

Box Office: 415-673-3847 (for show information)

Company: Theatre Makers provides a common ground for those interested in dramatic and musical theatre, professional and amateur theater, commercial and non-profit theatre, including non-traditional theatrical events (performance art, pop-up theater, home theater, street theater, puppet shows, etc.) with activities including, for example:

  • Discussions of all aspects of theatre creation and production
  • Exchanging information on opportunities available
  • Collaboration on incubating audience participatory plays and musicals based on social, political, economic, and environmental change (SPEEC) themes​
  • Workshops of plays and musicals under development
  • Readings and staged readings of plays and musicals for educational and motivational purposes

This group particularly fosters events that are inclusive and affirming of people based on class, race/ethnicity, gender identity, sexual orientation, (dis)ability, age, and other identities.

Company Website: http://ritualart.org/theatremakers/

Posting Updates: http://ritualart.org/wordpress/?p=883

Please share this notice with anyone who might be interested.

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