The first four performances of Ecopocalypse had the following cast:
Julia(n) Butterfly Abbey….Ben Perlman
Rajendra Shiva….David-Henry Bennett
Barron Pruitt….Nadeem Anjum
Ivanka Koch….Khadijah “Katie” Ford Garvin
Bodyguard….Matt
Air Vendor….Iryna Lymar
Protestors….Matt, Alexander Milbert, Stardust
Counter-Protestors….The Audience!
The People’s Pop-Up Climate Justice Theatre was created by Theatre Makers. Theatre Makers is a project of the Ritual Art Troupe, a 501(c)(3) non-profit organization.
Our Thanks to…
Playwrights: Iryna Lymar and Stardust (thanks to Playwrights Circle critiques)
Sets: Spiraleena, Julie Neva, Meg Duff, Matt, Lisa R. Prochello, Joaquín Sandoval, Stardust
Props and Costumes: Khadijah “Katie” Ford Garvin, Ben Perlman, Larry Ackerman, Michelle Tang, Cayenne, Rickster, Keith Hennessy, Mrs. Clear Plastic, Iryna Lymar, Stardust
Animal Factory Farm is a play portraying a fable about animals treated poorly by humans who band together and learn that humans are risking not only animal lives, but everything about our way of life on earth.
The first four performances of Animal Factory Farm had the following cast:
Chicken Little….Khadijah “Katie” Ford Garvin
Mad Cow….David-Henry Bennett
Sassy Salmon….Alexander Milbert, Ben Perlman
Guerrilla Gorilla….Nadeem Anjum
Human….Matt, Iryna Lymar
Human Race….The Audience!
The People’s Pop-Up Climate Justice Theatre was created by Theatre Makers. Theatre Makers is a project of the Ritual Art Troupe, a 501(c)(3) non-profit organization.
Our Thanks to…
Playwrights: Iryna Lymar and Stardust (thanks to Playwrights Circle critiques)
Sets: Spiraleena, Meg Duff, Matt, Lisa R. Prochello, Joaquín Sandoval, Stardust
Props and Costumes: Khadijah “Katie” Ford Garvin, Ben Perlman, Larry Ackerman, Michelle Tang, Iryna Lymar, Stardust
Sound: Stardust, Andrew Chin
Logistics: Julien Jourdan
Videography/Editing: Peter Menchini
Funding: Audience Donations, Brad, Stardust
In-Kind Donations: Arizmendi Bakery, Stardust
Performance of Music for Titles and Credits: Friction Quartet
Kari Barclay (he, his, him) is a director, playwright, and researcher completing his PhD in Theater and Performance Studies at Stanford University. Originally from Washington, DC, he has made work regionally and in New York at venues including the San Francisco Mime Troupe Studio, Round House Theater, and Manbites Dog. His original play, “Can I Hold You?”, was one of the first plays about asexuality performed in the U.S. and enjoyed runs in San Francisco and Brooklyn. Kari is a co-writer of the Theatre Maker play “20/20”. More at kari-barclay.com
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Tax deduction:
Contributions are tax-deductible to the extent permitted by U.S. law as indicated by our IRS 501c3 tax exemption letter.
We are actively seeking donations of the following:
Venue: free or low-cost performance locations open to the public
Portable sound equipment: Countryman B3 Omni Lavalier Mic, Standard Sens, with 3.5mm Locking Connector for Sennheiser Wireless Transmitters, EW Series (quantity 3, assortment of beige, cocoa, and tan colors), Sennheiser EW 100 G4 Lavalier Wireless System with Omnidirectional Lavalier Microphone (quantity 3), Kopul M3010 XLR M to XLR F Microphone Cable – 10′,3.0 m, Black (quantity 3), FocusRite 2I2 laptop input interface (quantity 1), Anchor Audio LIB2-COMP Liberty 2 Passive Companion Speaker (quantity 1), Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable – 50′, 15.2 m, Black (quantity 1), Hosa Technology SKT-250 Speakon to Speakon Speaker Cable, 12 Gauge, 50′, (quantity 1), Anchor Audio SS-550 Heavy-Duty speaker stand (quantity 1), Auray SB-52SSB speaker stand bag (quantity 1), Anchor Audio SOFT-LIB rolling case (quantity 1), monitor speakers (2 small), Goal Zero Yeti 400 rechargeable battery (quantity 1), canned air bottles (to clean/dry mics)
Portable lighting equipment: rechargeable LED spotlights
Healthy vegan food and drinks for rehearsals and performances
Muslin fabric rolls (Unbleached Wide Permanent Press Muslin preferred, like Roc-lon Style #5114) for set backdrops and costume design
Large portfolio to carry flat props
Curtain fabrics (for the portable theatre and home theatre, especially black velvet and scrim)
Jacob Breedlove (President/Executive Director, founding member, he/his/him) Jacob is a musician, puppeteer, artist and teacher, who is devoted to sharing his love of history and human culture, especially through performance and teaching. He is the founder and director of Rag on a Stick Theatre and the founder and co-director, with Laura Kuhlman, of Orchestra of the Moon, based in Portland, Oregon. Special areas of focus are: Medieval and Renaissance music, early dance and drama, puppetry, the construction, repair and playing of ancient musical instruments, particularly harpsichord, clavichord, hurdy-gurdy, vielle, viola da gamba, and capped reeds.
Stardust Doherty (Secretary and Treasurer, founding member, ze/per/herm) Stardust is a playwright, composer, and musician (oboe and English horn). Stardust is a co-writer (with Iryna Lymar) and director of the Theatre Makers plays “Animal Factory Farm” (2018) and “Ecopocalypse” (2018) and co-writer (with Iryna Lymar) of “You Too” (2019) and a co-writer (with Kari Barclay) and director of “20/20” (San Francisco Fringe Festival 2019 and San Francisco Free Library Tour 2020). Stardust began directing plays with per Shakespeare adaptation “A Midwinter Afternoon’s Nightmare” and the original “Bush Faeries: The Musical” (2018) staged at Breitenbush Community Hot Springs radical faerie gatherings. Along the way, there was an agit prop production of “Occupy San Francisco Employee Retirement System” (2013) in response to the bankster housing crisis. Stardust is a co-organizer of the Theatre Makers Meetup, as well as other playwrighting and composing projects. Stardust also serves on the Board of Directors of other non-profit organizations: Online Policy Group, San Francisco Composers Chamber Orchestra, and FaeNet. Stardust formerly worked at the Electronic Frontier Foundation and the Verified Voting Foundation, as well as at various high-tech companies during a prior career.
Matt (joined March 28, 2018, he/his/him) Matt is a multimedia artist and virtual reality developer. He co-founded Virtual Bytes, an art, education and research collective creating virtual reality experiences and research that utilize neuroscience concepts to explore the mind/body connection. He is passionate about using his background in creative media and technology to develop virtual reality experiences that challenge our preconceptions about the world around us, and help us connect to each other in new ways. Matt acted and served on the crew for the Theatre Maker plays “Animal Factory Farm” (2018) and “Ecopocalypse” (2018), and “20/20” (San Francisco Fringe Festival 2019).
Jean-Paul Jones (aka JP) (joined October 5, 2018, he/his/him) JP has worked as a music director, actor, and countertenor at a variety of theaters and schools in the San Francisco Bay Area and greater Los Angeles. With a B.M. in Vocal Performance from California State University at Northridge, JP performed in the Al McNeal Jubilee Singers, the L.A. Opera Chorus, and the Pacific Mozart Ensemble during the first decade of the 20th century. During this decade, JP performed in Pacific Collegium, the Grace Cathedral Choir of Men and Boys, the Cathedral of Christ the Light Chorus, and still performs in the Philharmonia Baroque Orchestra Chorus. Theater credits include the role of Jamie in “The Last Five Years” at the Moonlet Theater, Irving in “Babes at Arms”, an ensemble role in “No No Nanette”, and musical director roles for “Sweet Charity” at 42nd Street Moon, “Cabaret” at Abraham Lincoln High School, and “Seussical the Musical” at Mercy High School. JP has worked as music director of Young Performers Thatre and St. James School and recently starred in the West Edge Opera premiere of “Mata Hari”.
Emeritus Board
Emeritus Board Directors include the following:
Iryna Lymar (joined October 5, 2018, resigned September 15, 2021, she/her/her) Iryna was born in Ukraine, lived in China for 8 years, and eventually moved to California. She studied linguistics and speaks 4 languages: English, Chinese (Mandarin), Ukrainian, and Russian. While doing management and translation jobs in China, Iryna started exploring writing and the theater world. She wrote a compilation of stories about strangers called “Just some strangers on the way” (the book is registered in Ukraine) and a short script called “Robot Buddha”. She co-directed the “Robot Buddha” play in Shenzhen, China, in 2016. Besides that, she was an active member of improv group called “Planet Factory” and acted at monthly shows for a year. Now Iryna lives in San Francisco, teaches yoga and participates in local theater life. Iryna is a co-writer of the Theatre Makers plays “Animal Factory Farm” (2018), “Ecopocalypse” (2018) and co-writer and director of “You Too” (2019).
Mark Alburger (founding member, resigned March 2, 2018)
Join Us!
Ritual Art Troupe is always seeking new talent and experience for its Board of Directors. If you are interested or know someone who might be a good fit, please email info@ritualart.org.
Here is the schedule of rehearsals and performances for the plays we Theatre Makers are presenting at the alternative climate summit in San Francisco in September (other meetings shown below):
[done] Sunday, August 19: Rehearsal – 6pm start, 9pm end
[done] Tuesday, August 21: Rehearsal – 7pm start, 10pm end
[done] Saturday, August 25: Rehearsal – 2pm start, 5pm end (Anna excused)
[done] Sunday, August 26: Rehearsal – 3pm start, 6pm end (Anna excused)
[done] Tuesday, August 28: Rehearsal – 7pm start, 10pm end (Nadeem excused)
[done] Saturday, September 1: Rehearsal in Pop-Up Theatre – 3pm start, 6pm end (Anna and Nadeem excused)
[done] Sunday, September 2: Rehearsal in Pop-Up Theatre – 3pm start, 6pm end (Anna and Nadeem excused)
[done] Tuesday, September 4: Rehearsal – 7pm start, 10pm end (Nadeem excused)
[done] Wednesday, September 5: Dress Rehearsal – 4pm start, 7pm end
[done] Friday, September 7: Final Dress Rehearsal – 7pm start, 10pm end
[done] Saturday, September 8: Performances – 8am call, 10am start, 11am end, 1pm start (and loop and move until event ends as late as 6pm)
[done] Sunday, September 9: Performance – 6pm call, 7pm start
[done] Tuesday, September 11: Fundraiser Performance, 7pm call, 8pm start
San Francisco locations announced after you RSVP with your phone number and/or email address. Vegan food will be provided for the performers and crew at all rehearsals and performances. Please do not bring meat or pets to rehearsals and be prepared to remove your shoes on entry.
Other related meetings:
[done] Sunday, August 12: Painting Party – 9am start, 4pm end
[done] Thursday, August 23: Painting Party – 1pm start, 5pm end
[done] Friday, August 24: Social Event – 5:30pm start, 7:30pm end
[done] Wednesday, August 29: Painting Party – 11am start, 4:30pm end
[done] Friday, August 31: Painting Party – 12pm start, 6pm end
[done] Saturday, September 1: Props & Costume Party – 10am start, 1pm end
[done] Monday, September 3: Props & Costume Party – 10am start, 4pm end
[done] Wednesday, September 5: Painting Party – 10am start, 4:00pm end
The Theatre Makers collective is seeking an artist (or artists) who want(s) to create a few theatre backdrops for the production of a short play called “Animal Factory Farm”. We are presenting the play as part of the alternative climate summit in San Francisco from September 8 to 14.
The backdrops involve a factory farm, an underwater scene, and a tropical forest.
(Another artist named Sam may need assistance designing backdrops for our “Ecopocalype” play and we need another artist for a play tentatively named “The New Normal” about desertification/drought/wildfires and sea-level rise/flooding/storms.)
We have the paint for tracing and painting the backdrops on muslin.
We are seeking an artist (or artists) who are comfortable with creating images, then helping to trace the images onto the large backdrops and paint them. We have other volunteers to help with the tracing and painting process.
The backdrops must be drafted quite soon (the next few days!) and completed in time for the painting party on Sunday, August 12.
It would be great if the artist (or artists) could join the painting party for all or most of that day.