The EXIT Theatre has a cool map of San Francisco theaters in the main corridor toward the stages in the rear of the building.
Just Writing Isn’t Enough…
I learned that just writing isn’t enough. If you want to write the plays you want and have them produced and performed how you want, you also have to learn how to direct, how to raise money, deal with the Arts Council, talk people into putting your plays on in their theatre, talk to the press, talk to the actors, talk to the audience afterwards and talk talk talk talk talk talk talk.
Bryony Levery, British playwright, on starting her own women’s theatre company
It’s Difficult to See the Light…
We knew how to protest, to “fuck the system,” but not what to do! In the earlier issue plays, it was easy. It always is when you’re just reacting or protesting; especially for the children of a declining empire where images and analyses of decadence, fear, and horror are easy to come by. But when you have to be constructive, build, be positive, have a vision, an answer — that’s hard. From where we sit, stuck in our times, it’s difficult to see the light — of how we might live, of joy, of the possibilities within us.
Michael Brown of The Pageant Players, Summer 1971
20/20 Prop Master
Position: Prop Master, supervising the creation and acquisition of all Properties (including furniture, set dressing, soft goods, hand props, stage weaponry, food, and ephemera) for the “20/20” play production, including the following:
- Construction/purchasing and finding of all props within the limitations of schedule and budgets
- Generating pre-production props lists
- Responsibility for the strike and return of all props, whether rented or built
- Responsibility for the maintenance and inventory of props in our storage space
- Assist in dressing the set as needed
The Prop Master works in close consultation with the Director, Tech, Set Designer, Costumer/Dresser, and other cast and crew.
Skills: Effective oral and written communication skills. Negotiating skills. Knowledge of theatrical building practices in soft goods, paper, wood, metal and of traditional and new materials. Mechanical skills in the use of hand and power tools. The ability to read and understand floor plans, design sketches, construction plans and the ability to produce working drawings. A problem solver, creative thinker, ability to work in a team environment.
Physical Demands: Lift and carry materials weighing between 50 – 100 pounds. Physical activities such as, but not limited to, lifting, bending, standing, climbing, and/or walking. Ability to drive (with valid driver’s license). Involves getting dirty or dusty and being around paint fumes.
Inclusivity: sensitivity to and an understanding of the diverse socioeconomic, cultural, disability, and ethnic backgrounds of actors and crew, and to accommodating actors and crew with disabilities.
Play: “20/20” by Kari Barclay and Stardust Doherty
Synopsis: It’s 2020. The President has been re-elected, the climate is heating up, the economy in meltdown. In this satirical participatory performance, audience members choose the scenarios to stage: impeachment? a coup? a revolution? “20/20” asks what people power looks like in a time of vast uncertainty when even choosing to do nothing has consequences.
Artistic Director: Stardust Doherty
Crew:
- Stage Manager, Techs (Painters, Builders, Makers, Driver, Stage Hands), Set Designer, Prop Master, Costumer/Dresser, Marketer/Social Media Maven, Fundraiser, Sign Language Interpreters (ASL), Videographer, Artists/Graphic Designers
Union: No
Compensation: Possibly a share of ticket sales and funraiser funds. (We would love to pay artists living wages, but we are an entirely unpaid company, unless we receive grants or other contributions… we are all working for social justice!)
Performances: at least four, as part of the San Francisco Fringe Festival at the EXIT Theatre, 156 Eddy St, San Francisco
- 5:30pm-8:30pm on Saturday, September 7, 2019
- 1:00pm-4:00pm on Sunday, September 8, 2019
- 7:30pm-10:30pm on Thursday, September 11, 2019
- 4:00pm-7:00pm on Saturday, September 14, 2019
- An additional performance probably on September 15, 2019 (time TBA)
Commitment: 2 months, twice weekly through September 6, 2019, in San Francisco: 7pm-11pm Tuesdays, and 9am-7pm Saturdays (inc. set, props, and costume construction), plus load-in and striking performances listed above in San Francisco
Apply:
- Contact theatre-makers@ritualart.org with name, prop design experience, and availability for performance and build dates/times.
- Appointments Available: flexible starting immediately
Show Website: http://ritualart.org/2020/
Tickets: $13 cash in person ($15.99 online tickets at https://20-20.brownpapertickets.com). Advanced purchase recommended due to limited seating.
Box Office: 415-673-3847 (for show information)
Company: Theatre Makers provides a common ground for those interested in dramatic and musical theatre, professional and amateur theater, commercial and non-profit theatre, including non-traditional theatrical events (performance art, pop-up theater, home theater, street theater, puppet shows, etc.) with activities including, for example:
- Discussions of all aspects of theatre creation and production
- Exchanging information on opportunities available
- Collaboration on incubating audience participatory plays and musicals based on social, political, economic, and environmental change (SPEEC) themes
- Workshops of plays and musicals under development
- Readings and staged readings of plays and musicals for educational and motivational purposes
This group particularly fosters events that are inclusive and affirming of people based on class, race/ethnicity, gender identity, sexual orientation, (dis)ability, age, and other identities.
Company Website: http://ritualart.org/theatremakers/
Posting Updates: http://ritualart.org/wordpress/?p=900
Please share this notice with anyone who might be interested.
20/20 Set Designer
Position: The Set Designer is responsible for developing an innovative and original set of design drawings for the “20/20” play production that include the following:
- Basic ground plan showing all scenic elements
- Section of the stage space incorporating all elements
- Front elevations of every scenic element
This will involve a close reading of the script and consultations with the Director, Tech Director, Prop Designer, Costume Designer, and other cast and crew.
Portability: Due to requirements of staging at the San Francisco Fringe Festival (15 minutes to load in and 15 minutes to strike), portability is a crucial design element for this production. We are considering design and construction of a large, portable, re-useable “cranky” to display and cycle through painted muslin backdrops on a continuous roll.
Experience: practical work experience in set design, including working knowledge of construction, lighting design, stage rigging, audio and sound reinforcement, stage management/or production management, and professional standards of stage safety.
Skills: Effective oral and written communication skills. Negotiating skills. The ability to read and understand floor plans, design sketches, construction plans and the ability to produce working drawings.
Physical Demands: Lift and carry materials weighing between 50 – 100 pounds. Physical activities such as, but not limited to, lifting, bending, standing, climbing, and/or walking. Ability to drive (with valid driver’s license). Involves getting dirty or dusty and being around paint fumes.
Inclusivity: sensitivity to and an understanding of the diverse socioeconomic, cultural, disability, and ethnic backgrounds of actors and crew, and to accommodating actors and crew with disabilities.
Play: “20/20” by Kari Barclay and Stardust Doherty
Synopsis: It’s 2020. The President has been re-elected, the climate is heating up, the economy in meltdown. In this satirical participatory performance, audience members choose the scenarios to stage: impeachment? a coup? a revolution? “20/20” asks what people power looks like in a time of vast uncertainty when even choosing to do nothing has consequences.
Artistic Director: Stardust Doherty
Crew:
- Stage Manager, Tech Director, Set Designer, Prop Designer, Costume Designer, Marketing Manager, Fundraiser, Logistics Manager, Sign Language Interpreters (ASL), Videographer, Graphic Designer, Painters, Builders, Makers, Stage Hands, Movers, Shakers
Union: No
Compensation: Possibly a share of ticket sales and funraiser funds. (We would love to pay artists living wages, but we are an entirely unpaid company, unless we receive grants or other contributions… we are all working for social justice!)
Performances: at least four, as part of the San Francisco Fringe Festival at the EXIT Theatre, 156 Eddy St, San Francisco
- 5:30pm-8:30pm on Saturday, September 7, 2019
- 1:00pm-4:00pm on Sunday, September 8, 2019
- 7:30pm-10:30pm on Thursday, September 11, 2019
- 4:00pm-7:00pm on Saturday, September 14, 2019
- An additional performance probably on September 15, 2019 (time TBA)
Commitment: 2 months, twice weekly through September 6, 2019, in San Francisco: 7pm-11pm Tuesdays, and 9am-7pm Saturdays (inc. set, props, and costume construction), plus load-in and striking performances listed above in San Francisco, in San Francisco
Apply:
- Contact theatre-makers@ritualart.org with name, set design experience, and availability for performance and build dates/times.
- Appointments Available: flexible starting immediately
Show Website: http://ritualart.org/2020/
Tickets: $13 cash in person ($15.99 online tickets at https://20-20.brownpapertickets.com). Advanced purchase recommended due to limited seating.
Box Office: 415-673-3847 (for show information)
Company: Theatre Makers provides a common ground for those interested in dramatic and musical theatre, professional and amateur theater, commercial and non-profit theatre, including non-traditional theatrical events (performance art, pop-up theater, home theater, street theater, puppet shows, etc.) with activities including, for example:
- Discussions of all aspects of theatre creation and production
- Exchanging information on opportunities available
- Collaboration on incubating audience participatory plays and musicals based on social, political, economic, and environmental change (SPEEC) themes
- Workshops of plays and musicals under development
- Readings and staged readings of plays and musicals for educational and motivational purposes
This group particularly fosters events that are inclusive and affirming of people based on class, race/ethnicity, gender identity, sexual orientation, (dis)ability, age, and other identities.
Company Website: http://ritualart.org/theatremakers/
Posting Updates: http://ritualart.org/wordpress/?p=893
Please share this notice with anyone who might be interested.
20/20 Tech
Position: The primary duty of the Tech is the coordination of all scenic activities (scenery construction, painting, and props) for the “20/20” play including the following:
- Producing working drawings
- Determining the production expenses of projects given the designer drawings, the number of workers available and their level of skill, and the time frame for completion
- Negotiating alternatives with the director and set designer
- Refining the production/construction calendar
- Overseeing and managing the scenic budget
- Recruiting and overseeing the running crew
This will involve a close reading of the script and consultations with the Director, Stage Manager, Prop Master, Costumer/Dresser, and other cast and crew.
Experience: practical work experience in technical production from pre-build to striking the set, including working knowledge of construction and set design, lighting design, stage rigging, audio and sound reinforcement, stage management/or production management, and professional standards of stage safety.
Skills: Effective oral and written communication skills. Negotiating skills. Mechanical skills in the use of hand and power tools. The ability to read and understand floor plans, design sketches, construction plans and the ability to produce working drawings.
Physical Demands: Lift and carry materials weighing between 50 – 100 pounds. Physical activities such as, but not limited to, lifting, bending, standing, climbing, and/or walking. Ability to drive (with valid driver’s license). Involves getting dirty or dusty and being around paint fumes.
Inclusivity: sensitivity to and an understanding of the diverse socioeconomic, cultural, disability, and ethnic backgrounds of actors and crew, and to accommodating actors and crew with disabilities.
Play: “20/20” by Kari Barclay and Stardust Doherty
Synopsis: It’s 2020. The President has been re-elected, the climate is heating up, the economy in meltdown. In this satirical participatory performance, audience members choose the scenarios to stage: impeachment? a coup? a revolution? “20/20” asks what people power looks like in a time of vast uncertainty when even choosing to do nothing has consequences.
Artistic Director: Stardust Doherty
Crew:
- Stage Manager, Techs (Painters, Builders, Makers, Driver, Stage Hands), Set Designer, Prop Master, Costumer/Dresser, Marketer/Social Media Maven, Fundraiser, Sign Language Interpreters (ASL), Videographer, Artists/Graphic Designers
Union: No
Compensation: Possibly a share of ticket sales and funraiser funds. (We would love to pay artists living wages, but we are an entirely unpaid company, unless we receive grants or other contributions… we are all working for social justice!)
Performances: at least four, as part of the San Francisco Fringe Festival at the EXIT Theatre, 156 Eddy St, San Francisco
- 5:30pm-8:30pm on Saturday, September 7, 2019
- 1:00pm-4:00pm on Sunday, September 8, 2019
- 7:30pm-10:30pm on Thursday, September 11, 2019
- 4:00pm-7:00pm on Saturday, September 14, 2019
- An additional performance probably on September 15, 2019 (time TBA)
Commitment: 2 months, twice weekly through September 6, 2019, in San Francisco: 7pm-11pm Tuesdays, and 9am-7pm Saturdays (inc. set, props, and costume construction), plus performances dates, in San Francisco
Apply:
- Contact theatre-makers@ritualart.org with name, tech director experience, and availability for performance and build dates/times.
- Appointments Available: flexible starting immediately
Show Website: http://ritualart.org/2020/
Tickets: $13 cash in person ($15.99 online tickets at https://20-20.brownpapertickets.com). Advanced purchase recommended due to limited seating.
Box Office: 415-673-3847 (for show information)
Company: Theatre Makers provides a common ground for those interested in dramatic and musical theatre, professional and amateur theater, commercial and non-profit theatre, including non-traditional theatrical events (performance art, pop-up theater, home theater, street theater, puppet shows, etc.) with activities including, for example:
- Discussions of all aspects of theatre creation and production
- Exchanging information on opportunities available
- Collaboration on incubating audience participatory plays and musicals based on social, political, economic, and environmental change (SPEEC) themes
- Workshops of plays and musicals under development
- Readings and staged readings of plays and musicals for educational and motivational purposes
This group particularly fosters events that are inclusive and affirming of people based on class, race/ethnicity, gender identity, sexual orientation, (dis)ability, age, and other identities.
Company Website: http://ritualart.org/theatremakers/
Posting Updates: http://ritualart.org/wordpress/?p=883
Please share this notice with anyone who might be interested.
Theatre Makers Hits 200 Participants!
Today, the Theatre Makers project hit a milestone of 200 participants!
Please join the Theatre Makers meetup to hear about opportunities for participation in activities such as our Playwrights Circle, our Socials/Mixers, and of course our productions, such as these upcoming plays:
- 20/20: seeking one lead actor plus stage manager and whole crew for the play in which the audience decides what to do once the U.S. President is re-elected
- You Too: announcement soon about our community partners for this play about the #metoo movement, abuse, and healing
- Where We Love / Donde Amamos: interviewing participants for shows in English and español to co-create this story of LGBTQ refugees and asylum seekers.
20/20 Play Actor & Crew Bios
Actors | Crew / Personnel |
Nadeem Anjum | Kari Barclay |
David-Henry Bennett | Stardust Doherty |
Matt | Bert van Aalsburg * |
Hima Menon | Tyler Mann |
Geeta Rai | Peter Menchini (Videography) |
Ryan Samarakoon | Tyler (Fringe Tech) |
Jess Thompson | |
Dennie Warren |
Actors
Nadeem Anjum (SOCHE)
Nadeem (he, his, him) is from Calcutta and first started acting in college. Since then, Nadeem has focused on improv with the South Bay Improv group and had his U.S. acting debut with the Theatre Makers as Gorilla in “Animal Factory Farm” (2018) and as a wealthy entrepreneur in “Ecopocalypse” (2018).
David-Henry Bennett (ELLIS)
David-Henry (he, his, him) is a native of Atlanta who started acting at the age of 3. He has acted in many roles, both comedic and dramatic and is currently studying his final year for an MFA in Acting at Academy of Art University. He plans to work in television and stage after graduation. David-Henry is also a dancer and writer. He also want a career in education as a means of giving back. He feels that acting is a way of expressing things we don’t normally get to express and allowing ourselves to be in harms way as a way of sharing with people how they can heal. David-Henry first appeared with Theatre Makers as Cow in “Animal Factory Farm” (2018) and as a wandering indigent in “Ecopocalypse” (2018).
Matt (ENSEMBLE)
Matt (he, his, him) first performed at a Fringe Festival in Edinburgh at the age of 16 and is happy to be back, this time in San Francisco. Matt also acted in the Theatre Makers productions of “Animal Factory Farm” (2018) and “Ecopocalype” (2018). Matt is a multimedia artist and virtual reality developer. He co-founded Virtual Bytes, an art, education and research collective creating virtual reality experiences and research that utilize neuroscience concepts to explore the mind/body connection. He is passionate about using his background in creative media and technology to develop virtual reality experiences that challenge our preconceptions about the world around us, and help us connect to each other in new ways. Matt also serves on the Board of the Ritual Art Troupe.
Hima Menon (TV NEWS HOST)
Hima (she, her, her) is very happy to be part of Theatre Makers. She is from the San Francisco Bay Area where she is currently training with The Meisner Technique studio. She is passionate about art in any form and loves to be part of theatre productions as much as possible. She is a software engineer by the day but strives to complete her training one day and submit more of herself to art. She has been part of a few art projects around the Bay Area and hopes to be able to contribute more as time progresses. “20/20” is Hima’s debut with Theatre Makers.
Geeta Rai (MASTER OF CEREMONIES)
Geeta (she, her, her) is a Bay Area Theater and Film Actor whose recent theater credits include Naatak’s “Rabbit Hole” and “EnActe Arts, Go to Your Room, Mother!”. Her theater education includes the Trinity College of London’s Speech and Drama Curriculum and Foothill College Acting Coursework. When she is not on stage/set/auditioning, she helps manage a theatre non-profit that promotes South Asian themed theater and children education programs. She is excited to perform at the Fringe Festival in San Francisco. “20/20” is Geeta’s debut with Theatre Makers.
Ryan Samarakoon (President)
Ryan (he, his, him) is from London, was raised in the midwest, and has now lived in the Bay Area for 3 years. He is excited to get back into acting after a hiatus during his neuroscience studies. He has had a passion for the arts since he was 6 years old when he began singing, acting, and playing violin. He will be training at the American Conservatory Theatre in the fall. Ryan is thrilled about his debut role with Theatre Makers in “20/20”.
Jess Thompson (ANNA)
Jess (she, her, her) studied Social Work in her graduate program and Acting and Psychology in her undergraduate program. Jess currently works as a therapist with low-income high school students. She is excited to merge her passions for theatre and social justice. “20/20” is Jess’ debut with Theatre Makers.
Dennie Warren (OCTAVIA, VP)
Dennie (she, her, her) has appeared in a wide variety of films, television series, and plays, as a featured actor and as an extra. Dennie is excited for her theatrical debut to be a role in “20/20” with Theatre Makers.
Crew / Personnel
Kari Barclay (CO-WRITER)
Kari (he, his, him) is a director, playwright, and researcher completing his PhD in Theater and Performance Studies at Stanford University. Originally from Washington, DC, he has made work regionally and in New York at venues including the San Francisco Mime Troupe Studio, Round House Theater, and Manbites Dog. His original play, “Can I Hold You?”, was one of the first plays about asexuality performed in the U.S. and enjoyed runs in San Francisco and Brooklyn. Kari is a co-writer of the Theatre Maker play “20/20”. More at kari-barclay.com
Stardust Doherty (DIRECTOR/CO-WRITER)
Stardust (ze/per/herm) is a playwright, composer, musician (oboe and English horn), and English teacher. Stardust is focused long-term on the True of Voice musical dance theatre production and is a co-organizer of the Theatre Makers Meetup, as well as other playwrighting and composing projects. Stardust serves on the Board of Ritual Art Troupe, as well as two other non-profit organizations, the Online Policy Group and the San Francisco Composers Chamber Orchestra. Stardust formerly worked at the Electronic Frontier Foundation and the Verified Voting Foundation, and at various high-tech companies during a prior career. Stardust began directing plays with per Shakespeare adaptation “A Midwinter Afternoon’s Nightmare” and the original “Bush Faeries: The Musical” (2018) staged at Breitenbush Community Hot Springs winter radical faerie gatherings. Along the way, there was an agit prop production of “Occupy San Francisco Employee Retirement System” (2013) in response to the bankster housing crisis. Stardust is a co-writer with Iryna Lymar and director of the Theatre Maker plays “Animal Factory Farm” (2018) and “Ecopocalypse” (2018) and co-writer with Iryna Lymar of “You Too” (planned 2019) and the director of and a co-writer with Kari Barclay of “20/20” (San Francisco Fringe Festival 2019).
Bert van Aalsburg (Stage Manager)*
Bert (he, his, him) embarked on a full-time theater career in the mid-70s as the technical director and utility player for the Red Barn Theater in Saugatuck, Michigan. In 1987, he came west as technical director for the Great American Melodrama in San Luis Obispo. After a season with the Melodrama, Bert moved to the Bay Area. In 1999, he joined the Lorraine Hansberry Theatre to stage manage their first production of Black Nativity. He continued as their SM of choice and recently stage managed their productions of How I Learned What I Learned and Urban Retreat this past spring. Other notable productions include the premieres of Stones in His Pockets at Magic Theatre and Mission Magic Mystery Show with Culture Clash. The list also includes Godfellas with SF Mime Troupe and The Thomashefsky’s at SF Symphony. When not stage managing, Bert keeps busy in other areas of theater where he has earned critical acclaim as a lighting and scenic designer. Additionally, Bert is an active member of Actors’ Equity.
* These Actors and Stage Managers appear with the special permission of Actors’ Equity Association.
Seeking Latino Actor for “20/20” Play (Deadline: July 2)
Update: this role was transformed and cast.
Theatre Makers is seeking an actor for the role of Francisco, a young-to-middle-aged Latino male socialist who is in love with Anna, another character in the “20/20” play.
Synopsis: It’s 2020. The President has been re-elected, the climate is heating up, the economy in meltdown. In this satirical participatory performance, audience members choose the scenarios to stage: impeachment? a coup? a revolution? “20/20” asks what people power looks like in a time of vast uncertainty when even choosing to do nothing has consequences.
Director: Stardust Doherty
Union: No
Compensation: Probably not (We would love to pay artists living wages, but we are an entirely unpaid company, unless we receive grants or other contributions… we are all working for social justice!)
Performances: at least four, as part of the San Francisco Fringe Festival at the EXIT Theatre, 156 Eddy St, San Francisco
- 6pm-8pm on Saturday, September 7, 2019
- 1:30pm-3:30pm on Sunday, September 8, 2019
- 8pm-10pm on Thursday, September 11, 2019
- 4:30pm-6:30pm on Saturday, September 14, 2019
- Additional performances possible at other venues, depending on audience demand
Rehearsals: twice weekly from July 9 to September 6, 2019, in San Francisco
- 7pm-11pm Tuesdays, and
- 3pm-7pm Saturdays
Auditions:
- Contact theatre-makers@ritualart.org with name, preferred role, gender, race/ethnicity, age, acting experience, memorization ability level, and availability for performance, rehearsal, and audition dates/times.
- Appointment Deadline: Tuesday, July 2
- Script Excerpts Distributed: Tuesday, July 2 (by email, some memorization required)
- Appointments Available on request
Show Website: http://ritualart.org/2020/
Tickets: $13 in person ($15.99 online tickets at https://20-20.brownpapertickets.com). Advanced purchase recommended due to limited seating.
Box Office: 415-673-3847 (for show information)
Company: Theatre Makers provides a common ground for those interested in dramatic and musical theatre, professional and amateur theater, commercial and non-profit theatre, including non-traditional theatrical events (performance art, pop-up theater, home theater, street theater, puppet shows, etc.) with activities including, for example:
- Discussions of all aspects of theatre creation and production
- Exchanging information on opportunities available
- Collaboration on incubating audience participatory plays and musicals based on social, political, economic, and environmental change (SPEEC) themes
- Workshops of plays and musicals under development
- Readings and staged readings of plays and musicals for educational and motivational purposes
This group particularly fosters events that are inclusive and affirming of people based on class, race/ethnicity, gender identity, sexual orientation, (dis)ability, age, and other identities.
Company Website: http://ritualart.org/theatremakers/
Please share this casting notice with anyone who might be interested.
20/20 Free Library Tour!
Performance Completed: Bernal Library on Feb. 29, Richmond Library on Feb. 29, and Main Library on Mar. 1 (free limited seating first-come, first-served).
20/20: Winner of Fringe Sold Out Award (San Francisco Fringe Festival 2019)
Review: Excellent review of the past production from Theatrius.
Update: Check out our video and preview video from the past production.
Donate: please donate to cover expenses for our cast and crew.
Actors/Crew: please go here
Synopsis: It’s the year 2020. The President has been re-elected, the climate is heating up, and the economy is in meltdown. Now, it’s up to all of us to figure out what happens next. In this 60-minute satirical participatory performance, audience members choose from a list of possible scenarios they want staged: impeachment? a coup? a revolution? “20/20” asks what people power looks like in a time of vast uncertainty when even choosing to do nothing at all has its consequences.
Performances: “20/20”, co-written by Kari Barclay and Stardust Doherty, is scheduled for a limited tour of free performances in San Francisco Public Libraries:
- Saturday, February 29, 2020, 10:30am – 12:30pm at San Francisco Public Library – Bernal Heights Branch, 500 Cortland Ave, mass transit: 24 bus, RSVP
- Saturday, February 29, 2020, 3:00pm – 5:00pm at San Francisco Public Library – Richmond Branch, 351 9th Ave, mass transit: 38 bus, RSVP
- Sunday, March 1, 2020, 2:00pm – 4:30pm at San Francisco Public Library – Main, 100 Larkin Street, Latino/Hispanic Community Room, mass transit: Civic Center BART, RSVP
Tickets: No tickets! All these performances are free of charge and first-come, first-served.
Trigger Warnings: gun shots, a little profanity, assassination
Headshots and Bios: http://ritualart.org/wordpress/?p=2180
Photos and Videos: http://ritualart.org/wordpress/2020/02/03/20-20-free-library-tour-photos-and-videos/
Volunteer: We are seeking a wardrobe master, prop master, roadies, sound tech, funders, sign language interpreters (ASL), and other volunteers to stage this play.
Please volunteer, donate funds, or donate venue, food, materials or equipment to make this show possible!
Donors: Thanks to Anonymous 1, 2, 3, 4, 5, 6, & 7, Bernhard Ruchti, Brad, Erika Bjune, Iryna Lymar, Kari, Linda Galvane, Lucky Choi, Matt, Matt Nicodemus, Milton, Oriol Codina Carulla, Rick Doherty M.D., Rodger Scott, Scott & Elizabeth, Stardust, Stephen Savage, Terry Cavanagh, and Urs Leonhardt Steiner.
Thanks to our in-kind donor:
Awesome worker-owned pizzeria and bakery for yummy vegan pastries and bread to nourish our actors and crew for rehearsals. |
ACTIVITIES:
Playwrights Circle reading and critique session of “20/20” at the Ingleside Branch Library in San Francisco on May 21, 2019.
San Francisco Fringe Festival performances of “20/20” at the EXIT Theatre in San Francisco on September 7, 8, 11, and 14, 2019 (original cast and crew).
Auditions for “20/20 Free Library Tour” on January 11, 2020.
Rehearsals in San Francisco on January 16, January 18, February 1, February 6, February 8, February 16, February 17, February 19, February 20, February 21, February 22, February 24, February 26, February 27, and February 28.