The Internal Revenue Service has granted 501c3 tax-exempt status to Ritual Art Troupe. Here is our tax-exemption letter.
Here are a few examples of some quick drafts I recently made of blockprint art related to my new project, The Orchestra of the Moon. Blockprint is a new art form to me, and the lettering is especially tricky, yet I kind of like the results. It was fun to just start carving stuff on an old piece of wood and see what happened. I now have a better idea of how I want the design and lettering to go together.
The horizontally oriented design was the first one (you can see the lettering was really scratchy and faint.) Still, I think I like it the best, and will use it as the basis for another, more serious block in the near future.
The two vertically oriented images represent two different stages of carving on the same block; the face came first, and then I carved it out to just show a full moon. The face was a little too goofy for me, whereas the face in the first block has a slightly benign, slightly eerie quality that I thought was nice for the Man in the Moon.
The Orchestra of the Moon is a Portland-based early music band, which was started as the house orchestra for my puppet theatre, as well as to bring the joy of early music to audiences who might not otherwise be exposed to it, for example, the pub crowd.
Brad and Stardust spent a lovely evening discussing theater over delicious food in an elegant setting with charming staff at the New Delhi Restaurant.
Then, we made our way over to the Custom Made Theatre for opening night of the world premiere of Rachel Bublitz’s “Of Serpents and Sea Spray“, a play about the strange and heroic journey of a girl, tormented by the loss of her parents, who eventually manages to make sense of her life (directed by Ariel Craft).
Fostering and developing inclusive, participatory, and community-based arts.
The Ritual Art Troupe is the brainchild of Stardust Doherty and Jacob Breedlove, conceived as a vehicle for nurturing the creation and production of new art in whatever form.
The name came to us as a result of a brainstorm during a three-day ride from Portland to San Francisco, visiting friends, family, and animal spirits in Eugene and Arcata with stops to check in with the ancestors at the Wolf Creek Radical Faerie Sanctuary and at Jedediah Smith Redwoods State Park, which contains seven percent of all the old-growth redwoods left in the world, along the way.
The street entrance of the EXIT Theatre. There is a no parking zone in front of the theater, but according to the House Manager, no one ever seems to get ticketed for parking there. If no parking is available, then one can double-park and unload with someone monitoring the vehicle and its contents.
The street entrance doorway of the EXIT Theatre. All sets, props, etc., will have to fit through this doorway.
The path for loading in sets, props, costumes, actors, and crew up to the doorway entrance of the main stage at the EXIT Theatre in San Francisco.
The path for loading in sets, props, costumes, actors, and crew from the doorway entrance of the theater into the main stage at the EXIT Theatre in San Francisco.
View of the main stage of the EXIT Theatre from the audience.